
Costume specialists make last minute preparations to a jacket for a young Jack Black as extras prepare for their entry into the scene.

Inside the stock car, the film crew prepares to shoot as the train operates between Snoqualmie Falls and Bridge 35. Director Devor is seen in the center looking toward the camera. Pitt is seen at the other end of the car in character.
The production team had a variety of “riding the rails” scenes they wanted to recreate, many dating from the late 19th Century. A train station scene was filmed in the Snoqualmie Depot ladies’ waiting room with locomotive 11 visible through the windows. Several more scenes were filmed with representative freight cars from the Museum’s collection including a stock car, two former Northern Pacific Railway boxcars and a former Great Northern auto boxcar as they operated between Snoqualmie Falls and Bridge 35.

The former Great Northern automobile boxcar is prepared for an action scene with lighting and a blue screen. The car was rocked back and forth while filming took place.
The Museum only rarely participates in movie production – it is very disruptive to operations and is distracting to volunteers and staff. You Can’t Win is different: it has thematic content consistent with the Museum’s mission. And license fees the Museum charged were sufficient to fund work on Bridge 35 earlier this year. Overall, the project progressed without incident thanks in part to the Museum’s great team of volunteers (more than 20 participated!), staff, and a great and respectful movie production company.
Spike, Actually this is very cool! Also a great way to make some money for the Museum. Quality attracts quality… Take Care,
Big Daddy Dave